Learning to Shoot Light Field

Our Picture Gallery features Lytro living pictures taken by professional photographers in our Pro Shooter Program, our Director of Photography, Eric Cheng, and our founder, Ren Ng. In recent weeks, we’ve also added pictures taken by Lytro employees. Many of them proudly claim photography as a hobby or creative outlet, while others on the team aren’t afraid to admit that they only take pictures for fun.

Member of Technical Staff Mugur Marculescu loves photography and rarely leaves home without a camera, favoring his Canon 20D paired with an L-series 16-35mm F/2.8 lens (although practicalities sometimes cause him to rely on his cell phone’s camera.) Mugur explains how he took this picture of a squirrel with the Lytro while walking through Union Square during a recent trip to New York:

“This shot is all about timing and the ability to refocus after the picture is taken. Since I didn’t need to worry about adjusting focus, I could focus just on the timing. I knew that if I approached, the squirrel would walk up to me in anticipation of food. The only thing left was to click the shutter button at the correct time. The entire event lasted about 5 seconds and I was able to capture 3 great shots. This is one of those shot opportunities meant for a Lytro.”

Mugur shared this, about his first time shooting with the Lytro:

“You can take a snapshot of anything just like with a regular camera, but to really take advantage of this new medium and create beautiful re-focusable images, you have to start thinking in three dimensions. It took me back to the time I first picked up a camera; it’s as if I was discovering photography for the first time—again.”

… and this, about how using a light field camera is impacting his style and technique:

“I now think about depth in a whole new way. I am constantly looking for layers of objects in a scene, complex three-dimensional shapes, lines and textures leading off into the distance and things like shiny surfaces and water droplets.

The extremely-quick power-up time and unique shape has changed how I shoot street scenes. When walking in a city, moments happen so fast—you have to act very quickly. I am able to take the camera out of my coat pocket, orient it and power it on in one continuous motion that takes about 1 second. The next moment, the shutter will snap without delay. These types of candid shots are nearly impossible with my DSLR—the focus and timing would just fail.”

In addition to the squirrel, Mugur’s other featured pictures include Continue reading

The Gift of Lytro

We were pleasantly surprised by a recent Twitter post from @MikeTadros, who gifted a Lytro to his wife for her birthday. He wanted her to have something to open immediately, so he put his creative skills to work.

Since it’s the season for sharing, we’re re-gifting Mike’s paper Lytro for you to use, in all three colors:
(download are in PDF form)

We’re all hard at work to get the real deal in your hands as soon as possible. In the meantime, happy gifting!

Lytro and Stephen Goldblatt, Cinematographer

One of the great things about being Director of Photography at Lytro is that is gives me the opportunity to discuss image making with a lot of interesting people.

Last week, I met with Stephen Goldblatt, A.S.C., who has been cinematographer / Director of Photography for over 30 movies, including The Help, Julie & Julia, Charlie Wilson’s War, Batman Forever, Lethal Weapon, and others.

We spent an hour chatting about the cameras and workflow used in Hollywood movies, and about how the potential of light field video might make its mark in movies in the long term. These are truly exciting times!

The Science Inside Living Pictures

We’ve read some online comments and conversations from curious people who want to learn more about our light field picture (LFP) format. To help get answers, we did some research with our CTO, Kurt Akeley, to understand more about our team’s work on light field pictures.

Stanford Multi-Camera Array

A portion of the Stanford Multi-Camera Array that was used to create light field pictures in the early 2000s. (photo: Eric Cheng)

The leading question— why doesn’t the Lytro use an existing picture format? The team had to develop a unique picture format because light field pictures contain fundamentally different data than do traditional photographs, and because they use those data very differently to generate the images you see. The information is different because, while traditional cameras capture the intensity of the light, the sensor on our light field camera captures both the intensity and the direction of light. In total, 11 million rays (11 megarays) are captured, each describing the intensity of light along a path through the sensor. The information is used differently because megaray data are not viewed directly, but instead are projected from their (4-dimensional) ray space to a 2-dimensional image that you can view.  As Kurt describes it, when you interact with a light field picture—for example, when you refocus it—”you aren’t changing the captured light field data, but are instead changing parameters that control projection of those data to the sequence of 2-D images that you see. Thus, light field pictures are ‘living pictures,’ and they make different demands of a picture format than do traditional photographs.”

Collecting and processing these different data presented an opportunity to rethink the picture format with specific goals in mind. Chief among these goals was to make it easy to share light field pictures online, despite the substantial megaray data involved. This goal is important because our company is focused on building cameras for the information age, which is all about online sharing and interaction. Sixty billion photos were shared on Facebook in 2010, and that number is expected to exceed 100 billion photos in 2011. However, the work required to achieve a standard of simple sharing is itself quite challenging.

Lytro light field sensor

Close-up view of a light field sensor that makes it possible for the Lytro camera to fit in your pocket.

One key was allowing living picture contents to be adapted depending on the requirements of the device on which they are viewed: the desktop, the web, or a mobile device. How does this work? When you shoot with a Lytro light field camera, each living picture includes the captured megaray data, along with public and private metadata that describe the circumstances of the picture. The Lytro desktop application receives these living pictures when you synchronize your camera with it. Because the megaray data are included, the desktop application can generate any of a wide range of projections of these data, including refocused images, or stereo image pairs for viewing on 3D displays.

Here’s the trick, though. When a living picture is shared, the viewer doesn’t have to download the original LFP. Instead, the megaray data are replaced with data that are optimized for viewing online or on a mobile device, dramatically reducing its size and simplifying the process of computing subsequent projections. (Of course, the megaray data remain in the original living picture stored by the desktop application.) Making sharing simple is the reason living pictures need a home “in the cloud”—it is the reason each Lytro camera purchase also gives you the ability to share and view your pictures on Lytro.com.

This is just the beginning of our work to explore the full potential of light field technology. For now, we’re very focused on getting the first Lytro camera in people’s hands. But, we are also thinking about developers. Besides supporting easy online sharing, another goal in designing our LFP format was to make it extensible to support future capabilities. Want to explore with us? Sign up for developer updates.